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・ Étude in C-sharp minor, Op. 2, No. 1 (Scriabin)
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・ Étude No. 1 (Villa-Lobos)
・ Étude Op. 10, No. 1 (Chopin)
・ Étude Op. 10, No. 10 (Chopin)
・ Étude Op. 10, No. 11 (Chopin)
・ Étude Op. 10, No. 12 (Chopin)
・ Étude Op. 10, No. 2 (Chopin)
・ Étude Op. 10, No. 3 (Chopin)
・ Étude Op. 10, No. 4 (Chopin)
・ Étude Op. 10, No. 5 (Chopin)
・ Étude Op. 10, No. 6 (Chopin)
・ Étude Op. 10, No. 7 (Chopin)
・ Étude Op. 10, No. 8 (Chopin)
・ Étude Op. 10, No. 9 (Chopin)
・ Étude Op. 25, No. 1 (Chopin)
・ Étude Op. 25, No. 10 (Chopin)
・ Étude Op. 25, No. 11 (Chopin)
・ Étude Op. 25, No. 12 (Chopin)
・ Étude Op. 25, No. 2 (Chopin)
・ Étude Op. 25, No. 3 (Chopin)
・ Étude Op. 25, No. 4 (Chopin)
・ Étude Op. 25, No. 5 (Chopin)
・ Étude Op. 25, No. 6 (Chopin)
・ Étude Op. 25, No. 7 (Chopin)
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| Étude Op. 10, No. 5 (Chopin) ： ウィキペディア英語版 |
Étude Op. 10, No. 5 (Chopin)
Étude Op. 10, No. 5, in G-flat major, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France,〔("(French edition )"). Paris: M. Schlesinger, June 1833.〕 Germany,〔("(German edition )"). Leipzig: Fr. Kistner, August 1833 .〕 and England〔("(English edition )"). London: Wessel & Co, August 1833.〕 as the fifth piece of his ''Études Op. 10''. This work is characterized by the rapid triplet figuration played by the right hand exclusively on black keys. This melodic figuration is accompanied by the left hand in staccato chords and octaves.
== Significance ==
The so-called "Black Key Étude" is one of the most popular.〔Collet, Robert. "Studies, Preludes and Impromptus." In ''Frédéric Chopin: Profiles of the Man and the Musician''. Ed. Alan Walker. London: Barrie & Rockliff, 1966, p. 131〕 It has been a repertoire piece of pianists since Chopin’s time and has inspired numerous exercises, arrangements and paraphrases. Chopin himself did not believe the study to be his most interesting one. In a letter to his pianist friend and musical executor Julian Fontana he comments on Clara Wieck’s’s performance: "Did Wieck play my Etude well? How could she have chosen precisely this Etude, the least interesting for those who do not know that it is intended for the black keys, instead of something better! It would have been better to remain silent."〔"F. Chopin to Julian Fontana in Paris, Marseilles 25 April 1839." see Ekier, Jan, ed. (National Edition). "About the Etudes." ''Chopin Etudes''. Warsaw: Polskie Wydawnictwo Muzyczne, 1999.〕
Von Bülow (1830 - 1894) speaks rather disdainfully of Op. 10, No. 5 as a "Damen-Salon Etüde" ("Ladies Salon Etude").〔Huneker, James. "(The Studies—Titanic Experiments )." In ''Chopin: The Man and His Music''. New York: Charles Scribner's Sons, 1900, p. 61.〕
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